![]() ![]() Fixed LTC bug- removed out of spec LTC code that included sending and receiving the number of days. ![]() Added support for MIDI channel pressure (Data source available as /MIDI/ch/channel pressure).Fixed a bug that would cause thumbnails for hap files to be skipped under some circumstances. ![]() Updated NDI support to use latest vsn of the NDI lib.Fixed new bug with fx chains / comp mode settings in the file inspector.Fixed a bug that could cause a potential hang.Added ‘Detect Notes Only’ mode to media bin- The MIDI detect option for the media bin now has a ‘notes only’ mode that ignores other MIDI data, such as channel pressure and pitch bend, making it easier to do setup on devices that send control data along with note triggers.Fixed a bug where white lines would appear in some table headers.Added time/normalized time data sources to cues list plugin.Worked around a fullscreen issue caused by bugs and problems with OS X.ISF generators now break into subcategories for browsing in the file browser window.Significant improvements to the file browser interface (cmd-3).BM devices that show up as webcams through AVF are no longer ignored.Some file types weren’t caching in some cases, or not at all, slightly faster loading of non-cached movie thumbs Fixes to thumbnail caching with some file types.So far, VDMX can use synopsis to dynamically sort/re-order clips in your bin based on their visual properties, trigger new clips based on their similarity to the currently playing clip, and publish data sources with the current frame's dominant colors and RGB histogram. Synopsis is an open-source project that uses machine learning to populate a standardized metadata track that provides contextual information about movies and individual frames within movies. Fixed a recently-introduced bug that would cause projects to fail to save under some circumstances.Vuo 2.0 is here! Updated VDMX to include Vuo 2.0.added audio analysis/FFT delta data source.Added datasource for feature differencing when Synopsis metadata is available.prefs are only "dark" if the user's running high sierra or later.You may download version b0.8.7.2.4 here. If any of you have any questions or need any help, feel free to contact me.The newest version of the VDMX beta is b0.8.7.2.4. Modul8 although another Mac program, also has this ability if you need more control. The free program Video Projection Tools works on both Windows and Mac. After it is all set up in only requires you to press asdfghj, adjust stop-mo pieces and shoot the frames with a camera.įor anyone wishing to do something similiar on a Windows setup, there are several programs for you. If you have overlapping video i would suggest using the ‘quad point mask’ to crop off overlapping video.įinally, I assigned the move forward button(not play) on each layer to my asdfghj keys respectively, then slid the move forward bar to 1 or 2 frames. Once applyed to your layers it’s as simple as moving the four corner points of your video layers until you’re satisfied. Now they’ll show up in your fx manager in vdmx, and you just have to apply them to layers. Once downloaded you will need to cut and paste them into your ‘qcfx’ folder. Download the ‘quad warp’ and ‘quad mask’ QC patches from Memo. A patch in this case is essentially an effect you can download and place on your video channels in VDMX. Once you’ve gotten VDMX 5, you’ll need to download a Quartz Composer patch. ![]() The only feature missing is the save preset function which means you’ll have to set up all your windows everytime you open it but this is not a big deal unless you’re using it for VJ work, or need everything set up for a performance as soon as you open the program. I borrowed a crappy NEC with 2100 lumens and hooked it up to my macbook pro.įor software I used VDMX 5 which costs $300, HOWEVER, the good folks at vidvox have released VDMX 5 as a trial version that is exactly the same and as powerful as when you buy it. If you reading this and wish to try this technique on you own projects read on. Using the projections for atmospheres and backgrounds, or just using the projection for lights and shadows much like an easily controlled ‘gobo’ Perhaps having characters in the projection interacting with stop-motion characters. It’s a pretty rough test(camera shake etc.) but the possibilities are amazing. This enabled video and other digital sources to be mixed with stop-motion animation outside of a post-production setup. I then moved the video files along 1 or 2 frames each time I moved the oil pump. To do this I used a ‘quad warp’ quartz composer patch from ‘memo’ to resize the different video channels. I used VDMX 5, a live VJ program to projection map the lighting. Over all it worked really well and the possibilities for this technique are endless. ![]()
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